In a special note for Saba, Majid Zainul Abdin, the advisor to the head of the Broadcasting Organization, recalled the moral character and professional commitment of Korosh Zarei, and wrote about an artist who, in his opinion, meant loyalty to committed art and cultural ideals not only on stage, but in all moments of his life.
According to the reporter of Saba,The death of Korosh Zarei, an actor and theater director, is an opportunity to reread the path he traveled in performing arts; A path mixed with religious beliefs, cultural commitment and continuous presence in the theater. In this special note for Saba, Majid Zainul Abdin, recounting memories of his friendship and last meeting with Zarei, discussed and wrote about the artist’s personal character, beliefs and loyalty to what he considered his artistic and religious ideals;
Korosh Zarei was a promoter of original art
Writing for dear Korosh Zarei is a ritual of loyalty to a loyal artist. All those who know him know that Mr. Korosh Aziz was noble and noble in the art scene, but behind the scenes he was very dignified and dignified. An artist with knowledge who knew all the ins and outs of the show, but never performed for himself. This noble artist from Hormozgan passed away, but he will forever remain the face of revolutionary art. Some people who are not aware of the depth of influence of revolutionary art, may not know that Korosh Aziz was a well-known and popular figure in the Islamic world from Iraq to Lebanon and Egypt.
Recently, I went to see dear Korosh. Despite all the hardships of the disease, he did not complain about anything and anyone, and with the same Quranic beliefs, he saw everything as patience and contentment. Along with his artist wife, he told me about the romances of his private life and that he believes in religious art with his family members. In any case, even on his sick bed, his story was about his love for the leadership and his impatience to part with the martyred leader.
He, who said in front of everyone during the honoring ceremony, “I am a soldier of Seyyed Ali Khamenei”, was the same in private and lived the life of a soldier. Maybe many people don’t know that Korosh Aziz fell ill in the middle of the Children of the Mosque theater festival last year, but he didn’t leave the Children of the Mosque festival until the end. He said that when the work was done and I took off my shoes, I realized that my feet were sore and that diabetes had disabled my kidneys and my feet.
Committed art means giving life to one’s ideals, and Korosh Zarei agreed to remove his diabetes wound in the middle of the mosque theater, but religious art does not. In all circumstances, he was at the foot of the art of the revolution, in 1401, when the trumpeters of International Kos closed the theater and the Fajr festival, dear Korosh Aziz came to the stage of the theater with all dignity. He left his reputation as the secretary of the festival, but he did not let the light of Fajr Theater Festival dim. Indeed, in these years, he was one of the promoters of committed art and authentic Iranian and Islamic art. Dear Kourosh Zarei’s Badragh is a tribute to an artist loyal to Iran. The ritual of honoring the cultural soldier Seyyed Ali Khamenei. The religion is a covenant with the art of the Islamic revolution. We all agree.
