Referring to the protests of the French people, Seyed Ali Mirftah said: Some of our comrades said that the French are the first world and their protest is different from ours.
According to Saba, According to the public relations of the art field of the Islamic Revolution, the unveiling ceremony of this work was held on Monday, November 18, 1405, at 12:30 PM, in the presence of a group of visual arts artists and directors of the art field. Seyyed Ali Mirftah has explained about the subject of this work: This painting was painted under the influence of the French student protests that led to the collaboration of the working and cultural classes and mostly tries to chronicle the situation in Paris.
Regarding the political aspect of this work, Mirfatah added: Some of our comrades said that they, the French, are the first world and their protest is different from ours, I wanted to say that the mill is turning. In fact, the political aspect of this work dominates its other aspects.
Mohammad Mehdi Dadman (Head of Islamic Revolution Art Center), Bashir Biazar (Writer and Journalist), Mohammad Reza Samii (Writer and Researcher), Seyed Shahabuddin Shakiba (Director of Visual Center of Art Center) and Mustafa Gudarzi (Scientific and Artistic Advisor of “Nam” Cultural and Art Institute) were present at the unveiling ceremony.
